A story centered around an Indian family who moves to France and opens a restaurant across the street from a Michelin-starred French restaurant.

关于摄影师 William Eggleston 的纪录片

关于摄影师 William Eggleston 的纪录片

The bros are on their foot to make the youth's dream trip a reality!

Waltraud was the name of an angel who had fallen from the sky. Her wings were too small and she just couldn't see how this had happened.

When he learns that his daughter is to be engaged to the son of a rich businessman, Leon Martin realizes that extreme measures are needed to create a good impression.

Bun-Yi is sold to a bar for her widowed mother and young sister. There, she meets Dal-Jung and through his arrangement, she gets married into the rural rich Choi family as the wife of the youngest son. She lives as if she were housemaid looking after her mentally deficient husband Young-Ku, parents-in-law, and sister-in-law, and gives birth to a precious son. But she is driven out of the house because of mother-in-law and sister-in-law's evil plot. Going around from restaurants to restaurants, she becomes a owner of a restaurant and lives helping the poor children. Later, she comes to meet Young-Ku working as a shoe shining man in Busan. Mother-in-law and sister-in-law regret their faults in past and Bun-Yi regains their old house. Thus, all of them return to their hometown and live a happy life.

Bun-Yi is sold to a bar for her widowed mother and young sister. There, she meets Dal-Jung and through his arrangement, she gets married into the rural rich Choi family as the wife of the youngest son. She lives as if she were housemaid looking after her mentally deficient husband Young-Ku, parents-in-law, and sister-in-law, and gives birth to a precious son. But she is driven out of the house because of mother-in-law and sister-in-law's evil plot. Going around from restaurants to restaurants, she becomes a owner of a restaurant and lives helping the poor children. Later, she comes to meet Young-Ku working as a shoe shining man in Busan. Mother-in-law and sister-in-law regret their faults in past and Bun-Yi regains their old house. Thus, all of them return to their hometown and live a happy life.

The loss of youth and innocence can be played for comedy or tragedy. The stunning black-and-white cinematography and hypnotic electric guitar that fill "Left Foot Right Foot", as portentous as they are beautiful, are a pretty clear indication which side of the coin photographer Germinal Roaux intends to focus on in his first feature.